Foraged / Hart Haus / Exhibition / 2024

If architecture is landscape in flux, then materials are the direct representation of this dynamic process. Imagine the flow of matter and energy in the form of materials through the territory, leaving traces on its histories, environment and our lived experiences.

This installation merges found materials and objects into furniture brining the past into the future, with the help of appropriated technologies. The materials and objects, once being part of a domestic environment, are encountered on their way back to landfill, where they initially came from, as raw minerals.

A piece of marble top, steel tube chair frame, the PVC pipe colour coded for underground laid fibre optic cables and the kitchen cabinet doors – all foraged within a boundary of a small island. Such re-domestication forms a new set of visual references to a place’s architectural and material identity, sampled quite literally from this territory.

The pieces of this installation are essentially fragments of material past re-assembled into an urban-domestic present.

The installation Foraged was part of a group exhibition titled ‘Fragments of curiosities’ at Hart Hause in Hong Kong and was curated by Helena Halim.

Press: SCMP, Beijing Times, am730

Natasza MinasiewiczFebruary 18, 2025

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Foraged / Hart Haus / Exhibition / 2024

The installation Foraged was part of a group exhibition titled ‘Fragments of curiosities’ at Hart Hause in Hong Kong and was curated by Helena Halim. This installation merges found materials and objects into furniture brining the past into the future. If architecture is landscape in flux, then materials are the direct representation of this dynamic process.

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Material foraging, exploration and making in the response to the eruption of undersea Fukutoku-Okanoba volcano.

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Exhibition, panel discussion and a publication providing an alternative set of references to the built and natural environment and a note on Hong Kong’s persistent redevelopment. Through various mediums such as writing, photography, conversations and installations, this work investigates the city’s modern architectural language together with its atmospheric condition, through a visual atlas of urban forms and geometries, materiality and historical narratives.

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Housing in Place: Quality Living for Sustainable Hong Kong / The University of Hong Kong / Research, Architecture / 2021 - ongoing

Project developed by Urban Ecologies Design Lab at Faculty of Architecture, The University of Hong Kong, in collaboration with Habitat for Humanity Hong Kong, examines how the thousands of underutilised buildings that are temporarily vacant or awaiting lengthy redevelopment processes could be used to generate quality housing spaces in accessible locations, improve existing housing stocks, and provide crucial community spaces in areas with the highest concentration of population in need of social services.

FFFU / Self-initiated / Object, Art / 2022

Future Fossils for Ukraine (FFFU) is a limited edition of ten Future Fossils made and sold to help refugees fleeing Ukraine after the beginning of Russian invasion. 100% of the proceedings were donated to Grupa Granica operating on the eastern border of Poland.

Urban Interior Environments / The Hong Kong Polytechnic University / Education / 2022

Studio aiming to employ regenerative design as a principle to imagining strategies for sustainable developments of underutilised water-based urban areas in Hong Kong. Working with topics such as food systems, spatial homogeneity, amplifying nature, and disappearing heritage of water communities, in the context of commodity-based, capitalist society, facilitates in-depth understanding of current urban, social and environmental urgencies and possible/impossible ways of addressing them.

City from the Inside / The Hong Kong Polytechnic University / Education / 2021

Seminar aiming to enable student’s awareness and in-depth understanding of the perception modes and spatial typologies of complex interior environments. Questioning standard tools for perceiving and data collection, paired with mapping selected public ferry piers, facilitates revealing the condition of the space, and the expression of it’s interiority. Image: Krzysztof Wodiczko displaying Personal Instrument (1969), Warsaw, 1972.

Urban Entity, Pier / Inter Island Festival / Performative Walk / 2021

Performative and reflective walk from Mui Wo to Chi Ma Wan on Lantau Island at the Inter Island Festival, using the formation of the ferry pier as reference point for noticing aspects of Hong Kong insular culture, the pier typology and simply in enhancing perception of the landscapes, ecologies and social activities around it.

Café Sausalito / Private Client / Interior Design / 2020

Experimental interior design project of a coffee shop in Sham Shui Po. Through architectural inversion, use of materials, methods and qualities sampled from the outside, the interior constitutes the district’s exterior. Coupled with found and custom made furniture utilizing stone samples from materials library of closed down Interior Design School nearby, the space becomes a multidimensional material archive.

Future Fossils / Design Trust / Installation / 2020

Art objects capturing the moment of discovery when pieces of concrete, old tiles or bricks emerge from among pebbles and shells, highlighting the global problem of construction waste, building methods and materials that are neither reusable nor degradable.

Collisions and Connections: Redistributive Design for Visionary Typologies / 17th International Architecture Exhibition, La Biennale di Venezia / Installation / 2020

Group exhibition response to the ‘Redistribution: Land, People and Environment’ theme of the Hong Kong Collateral Event for the 2021 Venice Biennale of Architecture.

Wschód: Modernizm Si-Fi / Kwartalnik Rzut / Writing, Photography / 2019

Esej oraz fotografie, unaoczniają wartości wschodu w dyspucie na temat utopijnych idei modernistycznych oraz ich zastosowania w miastach XXIego wieku oraz podejmują próbę wyjaśnienia dlaczego koncepcje i pomysły wywodzące się z Europy i Stanów Zjednoczonych (tzw. Zachodu) nie sprawdziły się tam skąd pochodzą, ale tak dobrze przyjęły się w Azji, a zwłaszcza w Hong Kongu.

New Modesty: In Conversation with Studio MLKK / Design Anthology Magazine/ Writing, Photography / 2019

Interview based article about Hong Kong architecture and design firm MLKK, who with its core values of collaboration, mindfulness, peace and balance, emphasises craftsmanship and sustainability in every projects. Read the full story on Design Anthology Magazine

Sci-Fi Modernism: The becoming of Hong Kong / Design Anthology Magazine / Writing, Photography / 2017 – 2022

Series of six articles with visual stories about local modernism, the history of the region after the industrial revolution and its relationship with the present, aiming to translate to the wider audience the origins of the city’s urban language and raise a little more sympathy for the not always aesthetically pleasing dense city.

WORKS

Foraged / Hart Haus / Exhibition / 2024

Natasza is an architect, writer and artist, based in Hong Kong.